Phyllis Christopher (b.1963, Buffalo, NY, USA) is based in Gateshead, UK. Christopher has exhibited nationally and internationally, selected solo exhibitions include Contacts, BALTIC Centre for Contemporary Art, Gateshead, UK (2022); Heads and Tails, Grand Union, Birmingham, UK (2022); Passionate Acts in Virulent Times, Celine Gallery, Glasgow, UK (2019); Pretending To Be Free Of Time, Center for Sex and Culture, San Francisco, USA (2012); and Retrospective Show, Good Vibrations, San Francisco, USA (2011).

Selected group exhibitions include Still I Rise: Feminisms, Gender, Resistance, Nottingham Contemporary, Nottingham, UK, and De La Warr Pavaillion, Bexhill-on-Sea, UK (2019); and Into The Light: Women Photograph Women, Daniel Cooney Gallery, New York, USA (2018). Her work has been featured and reviewed widely in periodicals including FRIEZE, The Guardian, British Journal of Photography, Art Monthly and AnOther Magazine.