Darren Banks, Where Everything Is, 2010

Darren Banks

Where Everything Is,
2010
8 x Television sets, 9 x DVD players, Cables, Data projector, Second Hand Furniture, Wooden Pallets, Framed Concorde, 2 x inflatable bed, Daz washing powder packet, blank VHS covers, Lectern, 11 brand new blank videos, Mirror, Disco light, Cheese plant, Orbit material for mathematics, Umbrella, Glass items (tube, vinegar pot, crystal ball), Wooden level, Space aged washing line, DVD’s, G Clamp, Orange cloths, Motorist lamp, Skeleton suit, Ladies dress, Chalk board Easel
400cm x 200cm x 150cm | 157 1/2in x 78 3/4in x 59 1/16in

About this work

This large-scale sculpture acts as a pivotal point in Bank's on-going sculptural collages and investigates superstitions residing in popular culture and domestic banality. This work puts forward the artist as a conductor, a soothsayer or alchemist, channeling and animating these underlying anomalies and malignant ghosts within our accumulative culture. "In the exhibition's centre-piece Where Everything Is, an imposing mutant, moaning body is conjured from the synthesis of the quotidian and the Hallucinogenic. Banks is a skilled sculptural surgeon, expertly conjoining the most maligned pieces pieces of British domestic furniture (a wooden tv tray, a bottle green upholstered chair) with iconic signs of 1970's middle class respectability (a paper lampshade, cheese plant)with a barrage of looped video clips (Eyes without a face, Italian horror, porn and He-Man's nemesis Skeletor)......" John Beagles, MAP, issue 21, spring 2010. 'Where Everything Is' is a homage to Otto Dix's painting of the 7 deadly sins which Banks saw as a student at Pompidou Centre and was struck by its sculptural potential as much as its challenging content. In Banks' version there is a TV for each of the 7 sins. Sloth is illustrated by an excerpt from the 80's cartoon "He Man" portraying his arch nemesis Skeletor, Greed show's a lady drowning in gold from "The Devil's Nightmare", Anger is scenes taken from the "Abominable Snowman", Gluttony repeats a Pie eating scene from"Stand By Me", Lust gives us an endless orgasm from Linda Lovelace in 'Deep Throat', Pride show us a woman without a face after an accident from "Eyes without a face", and Envy uses a 'jealous mother in law' scene from "Onibaba" by Akira Kurosawa. An 8th TV show's us a scene from Cronebergs "Scanners" which asks "What happens after your head explodes?" Following the 'explosion' the TV cuts into a montage from "Bye Bye Birdie" in which Ann-Margret sings to us backed by various images of 'space' taken from Bank's wide ranging Sci-Fi collection. Nestled within the sculpture is a projector which beams a clip entitled 'with all the will in the world' from "Good Will Hunting" of a painting in a therapy room. room


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