Painting called Buoy Up by James Cabaniuk

Buoy Up

An impasto expressionistic painting by James Cabaniuk

Tin Top Man

Side View of Nature Walk by James Cabaniuk

Painting called Nature Walk by James Cabaniuk

Nature Walk

A detail of a vibrant impasto expressionistic painting by James Cabaniuk 

A large impasto expressionistic painting by James Cabaniuk 

Fissure For Compliments

Detail of Escalation Station by James Cabaniuk

Painting called Escalation Station by James Cabaniuk

Escalation Station

Painting called Flubber by James Cabaniuk

Flubber

Detail of Birds of a Feather by James Cabaniuk

Painting called Birds of a Feather by James Cabaniuk

Birds of a Feather

Painting called Looky-loo by James Cabaniuk

Looky-loo

A large impasto expressionistic painting by James Cabaniuk

Twirling Tail Ends

Painting called Baguette by James Cabaniuk

Baguette

Painting called Moth to a Chamber Stick by James Cabaniuk

Moth to a Chamber Stick

Workplace is pleased to present James Cabaniuk’s first solo exhibition with the gallery 

The exhibition features a new series of paintings that reflect the nuanced, complex, and often paradoxical experiences of queer identity, intimacy, and the subversive joy that comes with embracing personal and communal chaos.

Cabaniuk’s new body of work is a deep investigation into queer communications hidden in plain sight messaging. Drawing from a history of veiled signalling, from violets to the hanky code, Cabaniuk’s work reflects a unique way of communicating through metaphor, gesture, and abstraction. 

, resonates with this duality, speaking both to the sudden surge of emotion that can overwhelm, as well as the cultural pressure to suppress or judge these responses as ‘unbecoming’. Through a carefully orchestrated visual language, Cabaniuk interrogates how the queer body, often caught in tumultuous spirals of identity and expression, has been forced to reconcile with societal expectations. Their paintings confront the messy beauty of being overwhelmed, by desire, loss, and joy, and the liberating chaos that allows one to emerge stronger and more self-aware.

The works presented are both deeply personal responses as well as part of a larger commentary on queer temporalities and the absence of these histories in traditional spaces of culture. The paintings offer a topographical view of Cabaniuk’s experience, simultaneously micro and macro in scope, where the details of personal anecdotes blur into the larger, shared narrative of queer communities.

With thick gestural surfaces that often employ glitter, confetti and soil, the works speak to the queer opacity of experience, where meaning is buried in the layers of colour, shape, and form. The paintings exist in a liminal space between abstraction and figuration, a zone where meaning is not fixed, but constantly shifting and evolving. The works are a celebration of the resilience that comes from chaos, and the moments of kinship that form between individuals in unexpected spaces.

A thick impasto gestural painting by James Cabaniuk 

United Kingdom

London

WORKPLACE

James Cabaniuk's exhibition presents paintings delving into queer identity, intimacy, and chaos. His work uses metaphor and abstraction to challenge societal norms.

I Don't Know What's Come Over Me

Artworks

Related Artists

James Cabaniuk

London

Newcastle