In the Name of the Father

In the Name of the Father brings together a new body of works that extends Barclay’s enquiry into questions of legacy, identity, and masculinity, through the lens of the father son relationship. Works in various media weave together multiple references to the personal, the social and the geographical as an attempt to understand and negotiate one’s relationship to place. The history of Huddersfield’s cloth industry and the artist’s father’s original trade as a tailor are both alluded to in a duo of bespoke grey felt suits, as is the wider history of urbanisation and migration in the town. Barclay’s past employment as an industrial machinist has been a major influence in his artistic practice and a towering totem of containers hints at this, ​as well as being suggestive of the chimneys that remain a feature in Yorkshire’s post-industrial landscape. 

The show is full of symbols. There are lost footballs stuck up in the eaves of the gallery, totally out of reach. The locked doors have incomprehensible signs on them, like they’re the offices of faceless government departments. One of the doors is open, you push through and find a huge neon sign for Johnny’s, a nightclub in Huddersfield that was hard to get into. This is direct, physical, imposing art that forces you to feel the alienation and rejection of being an outgroup. - Eddy Frankel, Time Out, 22 Sep 2022