Medium acrylic/oil painting by James Collins. Dark blue oil paint on canvas, with a textural organic quality.

Lithic Root 15

Medium acrylic/oil painting by James Collins. Dark browns, red and green oil paint on canvas which looks similar to an organic form on a tree..

Lithic Root 12

Small acrylic/oil painting by James Collins. Dark blue/black oil paint on canvas with a textural organic quality to the overall piece.

Lithic Root 10

Lithic Root 8

Small acrylic/oil painting by James Collins. Dark green and brown oil paint on canvas, with a textural quality similar to bark from a tree.

Lithic Root 18

Lithic Root 9

Medium acrylic/oil painting by James Collins. Dark blue oil paint on canvas with small hints of greens and brown and a textural organic quality to the overall piece.

Lithic Root 7

Small acrylic/oil painting by James Collins. Dark brown, green and blue oil paint on canvas, with a textural quality similar to bark from a tree.

Lithic Root 11

A white man with short brown hair standing in front of a dark blue painting in a white room

Opening reception: Thursday 11 April, 6 - 8pm

Workplace is delighted to announce Ground, a solo exhibition of new paintings by James Collins.


Made deliberately and slowly, often over several years, James Collins employs additive means to excavate shapes and forms that emerge from within and beneath, as if always there. In his meticulous, densely layered paintings, gradual accretions of oil are built into mounds, furrows, and channels, becoming topographical sites of intense colour.


Deep, pearlescent beetle-black blues withhold and reflect light, whilst seemingly earthen browns - on closer inspection - emit spectral patchworks of luminescence. For Collins, paint is alchemical. In the laboratory of his Darlington studio in Northern England, pigment and medium are mixed and melded to create impossibly chromatic hues that shift constantly with the changing light, and as one moves around them.


Challenging the idea of painting as pictorial space, Collins insists on the paradoxical nature of painting both as surface and as event. As objects, his paintings resist narrative and interpretation, remaining absolute in their immediacy, confronting the viewer with the fact of their materiality. Simultaneously, his paintings require the viewer to succumb to spatial and temporal dislocation - to be transported by, and with, each painting – as if through the unknowable reaches of deep time: through epochs, civilisations, and evolution. Through singular, glacial intent, Collins reveals foundational, archetypal forms, primordial signifiers of the great arc of existence.

An installation image of James Collins solo exhibition in a white walled gallery space including 6 thick impasto paintings in dark wooden frames

Installation photographs of James Collins exhibition 'Ground' at Workplace | London

United Kingdom

London

WORKPLACE

Explore the alchemical world of James Collins' meticulously crafted, deeply layered oil paintings, revealing a topographical spectacle of intense colour and profound texture.

Ground

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James Collins

London

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