An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
An installation by Hazel Brill of a number of amorphous forms with abstracted imagery projected onto them
Hazel Brill

Pup & Blubber

Date
30 November 2019 – 18 January 2020

Brill's theatrically staged video installations feature multiple protagonists, both human and non-human, who enact plural narratives. In Pup & Blubber, the exhibition’s central characters (from which the show takes its title), are a quiet TV presenting duo, like the sombre ghosts of Ant & Dec or Sooty & Sweep. The double act attempt to explore brain-machine interfacing, taking us from the largest tech conference in the world to a tiny puppet theatre. The video considers the possibility for quotidian and staged ways of travelling outside of the body, in a process whereby an individual can insert their consciousness into non-living ‘hosts’, like cuddly toys, puppets, robots and data. This ‘astral-projection’ can be viewed as an allegory for the literal commercialisation of health-based neurological research. Through a process of compression and collage, Brill creates an intimate world that questions and dissolves notions of the private internal and public external.


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