Malcolm Bradley’s practice, which spans photography, video, text and installation, uses collage as a form of visual note taking, to blend research and autobiographical material. Bradley’s recent works have employed an industrial process called hydrographic printing. Commonly used to print images onto three dimensional objects like car parts and toys, Bradley has adopted this technique to make works that hover between sculpture, photography and painting. Often layering multiple images on top of one another, Bradley embraces the slight glitches and mistakes -inherent to the process, which give way to a varying surface texture.
Malcolm Bradley (b.1992, Oxford) lives and works in London. He received his BA in Fine Art Sculpture from the University of Brighton in 2014 and an MFA from Goldsmiths University, London in 2024. Recent and upcoming exhibitions include Solo exhibition, CORPUS Gallery, Cambridge UK (2026); CORPUS, CORPUS Gallery, Cambridge, UK (2025); Scene VII: Hair, Matt Carey-Williams, London, UK (2024); Dumping Ground, Hypha Studios, London, UK (2024); A garden the camera can’t see, San Mei Gallery, London, UK (2024); on the flip side was, curated by Kollectiv Collective, Guts projects, London, UK (2023); Dilations, Des Bains, London, UK (2022); “Hope” is the thing with feathers, South Parade, London, UK (2021).
