Details of a painting of a small child and a young woman sitting to the right looking back at the child by Remi Ajani

A painting of a small child and a young woman sitting to the right looking back at the child by Remi Ajani

Waiting Line

A detail of a narrow vertical painting by Jesse Akele depicting various vegetation in dark purples, blues and ochres 

A narrow vertical painting by Jesse Akele depicting various vegetation in dark purples, blues and ochres 

Thick of It

A painting by Jesse Akele in brown, red and ochres of 3 figures sat around a small table

Boneyard

Details of a horizontal landscape format abstract painting in pinks and reds and loose brushwork by Kirsty M Chan 

A horizontal landscape format abstract painting in pinks and reds and loose brushwork by Kirsty M Chan 

Cye Bourne

Detail of a painting of flowers in a vase in muted tones, in front of an ornamental bust

A painting of flowers in a vase in muted tones, in front of an ornamental bust

An Arrangement

Details of a painting by Nada Elkalaawy in muted green and yellow of a ceramic tureen

A painting by Nada Elkalaawyin muted green and yellow of a ceramic tureen

Study of Angelic Tureen

Details of an impasto monochromatic painting of slices of melon by Marta Ravasi

An impasto monochromatic painting of slices of melon by Marta Ravasi

Melone Rosa

Details of a blurred impasto monochromatic painting of a bowl of fruit by Marta Ravasi

A blurred impasto monochromatic painting of a bowl of fruit by Marta Ravasi

Natura Morta

Details of a blurred impasto painting of a bowl of fruit by Marta Ravasi

A blurred impasto painting of a bowl of fruit by Marta Ravasi

Prima Frutta

Painting of a round clay face called Feeling by Boo Saville

Feeling

Willa

Detail of Are You Happy Now? by Boo Saville

Painting of close-up spongebob square pants face called Are You Happy Now? by Boo Saville.

Are You Happy Now?

A portrait of Kristy M Chan sat in her studio

A portrait of Nada Elkalaawy in her studio

A portrait of Marta Ravasi sat on a stool in her studio

Workplace is pleased to present Cold Enough For Snow, a group exhibition of six UK and international artists.

Cold Enough For Snow explores the spaces between personal and collective experiences, memory and perception. Presenting new work by Remi Ajani, Jesse Akele, Kristy M Chan, Nada Elkalaawy, Marta Ravasi and Boo Saville, the exhibition will investigate the shifting boundaries that define personal and collective narratives, history, and human experience.

Remi Ajani’s intimate paintings are site where collective and personal experiences collide. Her compositions are drawn from found imagery from her family archives which she utilises to explore a wide range of ideas from the tangible; body language and touch; to more abstract ideas such as the nature of observation and how memory is inextricably linked to complex emotional states. Spontaneous gestures sit alongside slower layered applications of paint which hold the works in a hushed tension, the images slowly revealing themselves whilst hovering on the cusp of collapse.

Similarly, Jesse Akele’s work explores the intersections of identity and lived experience, drawing on the energies of family, friends, and everyday encounters. Through fluid abstraction and fragmented figuration, she seeks a deeper understanding of self, others, and the spaces they inhabit. With a practice rooted in storytelling, Akele’s work reflects how individuals are shaped by their environments, often unconsciously. She is particularly drawn to the intangible imprints of place, memory, and relationship, using painting to give form to these invisible yet enduring connections. 

Kristy M Chan’s expansive, gestural canvases are richly layered meditations on the human experience. Through thick, vigorous brushstrokes and intersecting curves, her use of light and shadow maps her exploration of the complexities of "homeland" while navigating diverse cultural landscapes. Her lively use of oil paints — intuitively manipulated, layered, and rearticulated over months, recalls the spirit of Abstract Expressionism and the global diaspora experience.

Nada Elkalaawy’s paintings weave together images sourced from art historical objects, her own photographs, and those found online, Elkalaawy is concerned with histories and memory, particularly their implications on personal narratives. Her recent work focuses on closely cropped depictions of tableware including tureens and porcelain vessels often found in Middles Eastern homes. One element of these objects that Elkalaawy is intrigued by is their hollowness - a feature required in their production for firing in a kiln but also inherent in their form as items for display rather than utilised as traditional receptacles. By translating these domestic objects onto canvas, she reimagines their hollow forms as repositories for emotions, memories, and narratives. Pentimento are also visible in her works, in particular in An Arrangement which features traces of earlier images that act like ghosts or phantoms, imbuing the work with an eerie and ephemeral quality that lead to the work constantly negotiating between the past and present.

Marta Ravasi’s diminutive works continue a long tradition of art historical still lives. Rather than painted from life, Ravasi’s works are coalesced from a range of disparate imagery from her own photographs, to images discovered from scouring the internet. Printed out and stored in her studio the images take on a new life, acquiring marks, traces, and imperfections from their environment and the passage of time. These subtle material changes make their way into the weave of her canvases further complicating the reading and provenance of the imagery. Many of her subjects are explored in different ways over time with subtle changes in brushwork and colour, or slight shifts in perspective pushing the limits of the painting and allowing them to shift and evolve.

Boo Saville presents works from both sides of her multifaceted painting practice. Her abstract colour field work utilises multiple layers of oil paint to create an array of optical effects, with her contemplative and meditative painting process echoing the perceptual experience of the viewer. Recently the titles from this body of work are drawn exclusively from female names, Saville’s direct experience of the colours prompting experiences and relationships of friends and family. In contrast, Saville adopts a non-narrative approach to figurative painting, using found imagery as metaphor. Often rendered in a monochromatic palette and sourced from online materials, these works emerge as reflections on thoughts that surface during the abstract painting process. Her work investigates the phenomenology of memory and perception, questioning both our collective and personal histories.

A painting by Marta Ravasi of a bowl of peaches 

Installation view of the group exhibition Cold Enough for Snow

United Kingdom

London

WORKPLACE

Workplace presents "Cold Enough For Snow," showcasing new works by Remi Ajani, Jesse Akele, Kristy M Chan, Nada Elkalaawy, Marta Ravasi, and Boo Saville. Explore the intersection of personal and collective narratives, memory, and perception.

Cold Enough For Snow

Artworks

Related Artists

Remi Ajani

Jesse Akele

Kristy M Chan

Nada Elkalaawy

Marta Ravasi

Boo Saville

London

Newcastle